Landscape of loss and belonging IV
mixed media on paper
36.5" X 62"
2024
Landscape of loss and belonging IV
Landscape of loss and belonging IV
Landscape of loss and belonging IV
Landscape of loss and belonging IV
Landscape of loss and belonging IV
Landscape of loss and belonging IV
My hands recall
the surface,
moving
over
bumps,
crevices,
cracks,
and
bubbles;
as each contour
crumbles
under
my touch.
An abstract map
of
Abandoned
landforms,
The walls
swell,
and
expand,
effervescent with salt—
white
crystals
falling softly,
suddenly,
a
swishhh —
that echoes through
empty
rooms.
My house
absorbs
the
scars
of
lived memories
etched
deep—
fading;
I trace the walls,
grasping
at its
evaporating skin—
And I wonder,
when it all
dissolves
into
nothingness—
what remains ?
for
me
to
hold ?
Landscape of loss and belonging V
mixed media on paper
25" X 55"
2024
Landscape of loss and belonging V (detail)
Landscape of loss and belonging VI
mixed media on paper
75.5" x 37"
2024
Landscape of loss and belonging VI (detail)
Landscape of loss and belonging VI (detail)
Landscape of loss and belonging VI (detail)
Landscape of loss and belonging VI (detail)
Sareena Khemka, 1983. Kolkata
Sareena Khemka’s current practice explores urban spaces
through the contrasting themes of construction and destruction, as well as
preservation and regeneration, within manufactured and organic environments.
Working across multiple mediums—drawing, painting, and sculptural
installations—she examines the permanence and transience of urban landscapes
through material interventions and the ephemeral memories associated with
space.
In her series Landscape of Loss and Belonging, the
artist delves into the impermanence of familiar places by capturing the
deteriorating surfaces of her ancestral home. Through graphite rubbings and
organic drawings of decay, her works evoke the pathos of modern landscapes in
ruins. Each work forms a fragile yet resilient layer, reminiscent of preserved
skin, embodying the tactile experience of touching these crumbling
structures.
As her house faces imminent demolition, these drawings
become fragments of a broader, lifelong project—one that will gradually reveal
deeply personal memories both tangible and intangible.
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