Interspace – IV, Pen and ink and cotton fabric on paper, 5.5x8.75 in / 14x22 c
Interspace – V, Pen and ink and cotton fabric on paper, 5.5 x 8.75 in/ 14x22 cm
18x27x3 cm
Statement
My studio practice is rooted in ancestral connections
and archaeology, with a focus on exploring personal memories, collective
history, and cultural depictions. Through archival research in my hometown of
Tulamba, I bridge the gap between past and present, using memory as a tool to
craft independent narratives of time and place.
The works of archaeology that delve into personal
memories and historical events captivate me, shedding light on how spaces are
interpreted within their contexts. Drawing inspiration from this, I curate a
journey through abstract and minimalistic language, employing dots, lines,
marks, symbols, and patterns to convey the multi-layered nature of these
aspects.
Guided by research and a foundation in
psycho-geography, my art practice has evolved to incorporate symbols, infusing
a spiritual element. Meticulously layered with intricate lines, symbols, and
excavation plans, my work emphasizes the historical significance of specific
spaces, particularly in Tulamba.
Through my art, I aim to create a visual language that
uncovers the past while sparking contemplation on the interplay between memory,
space, and symbols. By fostering dialogue on the significance of context, I
hope to forge a connection to history and shape our understanding of the world.
Biography
Farrukh Addnan is a visual artist based between Lahore and Washington D.C. who utilizes drawing and photography to explore the traces of his ancient historic hometown, Tulamba, and its cultural memory. The history of Tulamba dates back to the 2nd century B.C., and Adnan's work focuses on the patterns and structures found in the ruins of the area. He conducts meticulous research and documentation directly on-site, collecting relics and utilizing his own movement and experiences as mapping tools.
During his childhood, Adnan developed an interest in collecting shreds, coins, and terracotta toys from the ruins of Tulamba. He would draw lines and create various shapes, animals, pots, and even write names on the muddy surfaces. Professionally, Adnan is a drawing and design teacher at the National College of Arts in Lahore, where he initially began his journey as a design professional. He holds a degree in Visual Communication Design from the National College of Arts and a Masters in Art and Design Studies from Mariam Dawood School of Visual Arts and Design, Beaconhouse National University.
In addition to his teaching
career, Adnan is dedicated to his growth and evolution as an artist. He has
participated in numerous workshops and has received recognition for his work,
including being shortlisted for The Arts Family (TAF) London Art Award-South
Asia 2023, receiving honorable mentions and awards for his artwork, and
securing various residencies and grants. He been a nominee for the Jameel Prize
6 and Sovereign Asian Art Prize. His art has been
showcased in solo and group exhibitions both locally and internationally, including the Asian Art Biennale in Bangladesh, the Festival of Print in Brighton and exhibitions in Lahore, Karachi, Islamabad, Dubai, Beijing, Edinburgh, Milan, Baltimore, Washington DC and New York.
Adnan is actively involved in preserving and promoting native art and history, and he has participated in workshops and performances, collaborated with other artists, and conducted workshops for aspiring artists. He is passionate about his artistic legacy and believes in teaching and encouraging the next generation of artists.
Through his art, Adnan explores
the interconnectedness of space, history, and artifacts, creating a visual
language that reflects the layers of memory and the richness of his cultural
heritage.
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