Nicole Wendel, Coredrawing (9/2020), graphite on paper, 200 x 154 cm, 2020
Nicole Wendel, Coredrawing (10/2020), graphite on paper, 200 x 154 cm, 2020
Nicole Wendel CORHYTHM, 2019, performance setting: table 60 x 400 cm, chalkpieces, paper, concept: Nicole Wendel, performance: Johanna Ackva and Nicole Wendel, 24min, photo: Els de Witte, Drawing Centre Diepenheim, 2019
The line is the operating instruction for the performance CORHYTHM. Charcoal pieces are moved back and forth on white paper, creating a sequence of movement that is caused by repetition. Out of the moment, following the line, a common navigation emerges, which creates a visual and acoustic rhythm. These qualities are reminiscent of archaic everyday actions and ritualized processes.
Nicole Wendel CORHYTHM, 2019, performance setting: table 60 x 400 cm, chalkpieces, paper, concept: Nicole Wendel, performance: Johanna Ackva and Nicole Wendel, 24min, photo: Els de Witte, Drawing Centre Diepenheim, 2019
The line is the operating instruction for the performance CORHYTHM. Charcoal pieces are moved back and forth on white paper, creating a sequence of movement that is caused by repetition. Out of the moment, following the line, a common navigation emerges, which creates a visual and acoustic rhythm. These qualities are reminiscent of archaic everyday actions and ritualized processes.
Nicole Wendel, embodied lines (exhibitionview), series Open Cube, each: 21 x 29,7cm, graphite on paper, Drawing Centre Diepenheim, 2019/2020
Nicole Wendel, series Open Cube (selection), each: 21 x 29,7cm, graphite on paper, Drawing Centre Diepenheim, 2019/2020
Nicole Wendel, OPTIONS (exhibition view: Présence), 200 drawings, charcoal on paper, each 29.7 x 42 cm, 2017), L‘Espace d‘Art Contemporain, Colmar, 2017
Starting with the arm movement oscillating between back and forth, left and right, in and out, the video shows the emergence of 8 drawings.
For the performance ACHT [Eight] Nicole Wendel invited the dancer and choreographer Lea Pischke to develop with her a precise and continuous exchange between phases of drawing and walking. The kinetic energy of our performance permeates the act of drawing, and as a direct consequence the resulting lines are released into the space.
For the performance ACHT [Eight] Nicole Wendel invited the dancer and choreographer Lea Pischke to develop with her a precise and continuous exchange between phases of drawing and walking. The kinetic energy of our performance permeates the act of drawing, and as a direct consequence the resulting lines are released into the space.
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