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Sight Drawing (Shadow Fold) No. 1

May 15, 2019

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Sight Drawing (Shadow Fold No. 1, iPhone, 2019.

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Dylan DeWitt: Perceptions of the Everyday

Images Both Sides Cast paper 11” x 18 ” 2018 Cast paper images of each side of a single sheet of copy paper Blank Page Colored pencil on cut paper 11” x 8.5” 2018 Creases Scored drawing on bond paper 11” x 8.5” 2018 By Hand Silverpoint on paper. 14” x 18 ” 2017 Drawing of a sheet of copy paper soiled with fingerprints, drawn at slightly larger scale than an actual human hand. Spilt Water and hydrophobic spray on concrete floor, paper cups 22” x 72 ” 2017 Cast Paper Paper pulp cast into a wrinkled form 8.5” x 11” 2017 Small, Medium, Large Glass Hand-cut glass 31” x 14 ” 2017 Glass fragments with identical shatter patterns at three sizes. Cardboard Carved MDF, paraffin wax 12” x 18 ” 2016 Stutter Inkjet print on wrinkled paper, site-specific light...

Sylvain Levier and Nebel Lang: Korf ar son (Body of Sound)

Sylvain Levier and Nebel Lang: Korf ar son (Body of Sound) Sylvain Levier writes about his experience of creating a series of drawings, Body of Sound, in response to music. For two years, he worked remotely with the composer Nebel Lang. Lang recorded improvisations while tuning pianos throughout Europe. This work is an attempt to give form to the melodies and harmonies experienced. Time plays a role in these works as well as the formal elements of structure, space, and tone. They all interplay to map what was heard, felt, and reflected upon. "Korf ar son" (body of sound in Breton language) is a collaborative sound-based project led by piano composer Nebel Lang and visual artist Sylvain Levier . This ongoing project started in 2019 proposes to link piano improvisations to their graphic transcriptions. In the manner of stolen moments, each improvisation was recorded on different pianos, in different places in Europe, during the tuning process. As improvisations, ...

Clare Churchouse and Gelah Penn: Cross-Pollination

Raging Tide (aftermath) A collaborative drawing installation by Clare Churchouse and Gelah Penn Concept We began our collaboration by discussing the ideas and influences informing our work and how they might be useful in formulating this project. Gelah suggested viewing the Hitchcock film Shadow of a Doubt, with its examination of the dark undercurrents in American life. Clare chose four articles on the critical issues of climate change, sea level and ice melt. These became the touchstones for our collaboration. Materials and Process Both of us use a variety of synthetic materials, e.g., mylar and optical plastics, that are translucent, richly visual, durable and easily manipulated on recto and verso. Photographic images and a smattering of textiles were also incorporated. After determining parameters of overall size, we independently began by making components that would encourage maximu...

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Sight Drawing (Shadow Fold) No. 1

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