As a multidisciplinary artist and teacher, my diverse practice supports an ongoing investigation into how we interact with each other physically, psychologically, and socio-politically. My videos, drawings, prints, and performances reimagine the possibilities and limitations of gender, intimacy, and relationships in late capitalist America. I am interested in how private feelings bleed unpredictably into the public space of the community and surrounding landscape. My work is influenced by my own experience of top surgery and gender queerness, my commitment to queer and feminist collaborations and pedagogies, as well as my role as a caregiver and teacher of people with Alzheimer’s and other disabilities.
My work
presents a series of haptic encounters with people, objects, spaces, and
histories, shifting between the intimate and remote, the slippery and stable, the
poetic and political. I am interested in moments of recognition and the
processes by which we experience an “other,” or come to know or love them. The
handle, a recurring image in my work, is a literal representation of something
we reach for, hold onto, or lean on for support. The handle is also a metaphor
for our connection to the outside world. Exploring what is at stake when we interact
with the world, my work contemplates these areas of contact—suspended
possibilities that arise between one action and the next—and the ways we
contain or expose ourselves in precarious, yet quotidian situations.
See more of Downey's projects at http://www.failingtolevitate.net/ and http://kerrydowney.com/videos--/nursing-disco/1. Downey's website is http://kerrydowney.com/home.html
See more of Downey's projects at http://www.failingtolevitate.net/ and http://kerrydowney.com/videos--/nursing-disco/1. Downey's website is http://kerrydowney.com/home.html
About
Kerry Downey (born Fort
Lauderdale, 1979) is an interdisciplinary artist and teacher. Downey’s work
explores how we interact with each other physically, psychologically, and
socio-politically. Encompassing video, printmaking, drawing, installation, and
performance, their work is influenced by Downey’s personal experience of top surgery and
gender queerness.
Recent exhibition venues include the
Queens Museum, Flushing, NY; Los Angeles Contemporary Exhibitions, Los Angeles,
CA; the Center for Curatorial Studies at Bard College, Annandale, NY; the Drawing
Center, New York, NY; Taylor Macklin, Zurich, Switzerland; and Franklin Street
Works, Stamford, CT. ARTforum selected Downey’s work as a “Critic’s Pick” at a recent exhibition at REVERSE in
Brooklyn, NY. In 2015, Downey was awarded the Joan Mitchell Foundation Emerging
Artist Grant. Artist-in-residencies and
Fellowships include SHIFT at the Elizabeth Foundation for the Arts Project
Space, the Drawing Center’s Open Sessions, Real Time and Space in Oakland, CA,
the Vermont Studio Center, and the Queer/Art/Mentorship Fellowship. Downey currently
works in Education at the Museum of Modern Art, and recently taught at Hunter
College and Parsons School of Design. They hold a BA from Bard College
and an MFA from Hunter College.
Comments
Post a Comment